Wedding Music Police

Wedding Music Policena Kipi Brown (aka Kīhei de Silva).We were at a wedding reception a few months ago. Very upper-crust Hawaiian. Valet parking, green lawns, white tents, two open bars, three impressive hui hīmeni taking turns on stage.We were, therefore, more than a little surprised when the first of these groups included "Latitū" in its offering of music to bride, groom, and family. We were further taken aback when the second of these groups did the same with "Pua o Kāmakahala," and we were even more astonished when the third group opened its set with a rousing rendition of "Keyhole Hula.""Hū," said some of the folks at our corner table, "kinda risky, yah!" "Where is Aunty Alice when you need her to pound her cane and utter the much-dreaded ‘hewa’?" All three songs, you see, are about infidelity. Not exactly positive fare for a celebration in which fidelity should be a cornerstone.The conversation then took a Letterman-like turn. What are the ten least appropriate Hawaiian songs for a wedding reception? We brainstormed for a while, came up with a baker’s dozen, and whittled our choices down to the five that follow.1. "Latitū." The haku mele (he is most often identified as Harry Swinton) compares himself to a sailor who thinks that he alone knows the "latitude" of his sweetheart’s affection. He discovers, however, that he is one of a multitude of pilots -- "he nui a he lehulehu nā pailaka" -- who have visited her harbor.2. "Piukeona." The haku mele (an unidentified, late 19th century resident of Ka‘ū) insults the beautiful Pōlani, his soon-to-be former lover. She is reputed to have described his manhood as a skinny, part-Mexican banana, so he counters by comparing her womanhood to a meeting place of telephone wires and to a deeply furrowed island jutting into the sea.3. "Pua o Kāmakahala." Katie Stevens I‘i compares her straying husband to the kāmakahala blossoms that line the walkway of their home. His interest in mea poepoe, "round things," has undermined their once-pa‘a relationship.4. "Hula o Makee." William Ellis uses the metaphors of ships and treacherous waters to tell the story of an unfaithful wife and her jilted husband. The Malulani discovers the Makee, husband discovers wife, in flagrante dilecto -- keeled over on a reef with helpful Hiram standing above her, paddle in hand.5. "Mauna Loa." Helen Lindsey Parker takes on the persona of an upset lover who tells her beau to get lost -- "Kū ‘oe hele pēlā" -- because of his incessant wandering, absence, and inattention. Their affection, she says, is little more than the roach-eaten handkerchief that she uses to wipe off his pointy shoes. "Na‘u nō ia ‘oni ho‘okahi / Kahi pela a‘o kāua," she concludes; she’d rather go it alone in the bed they once shared.Because we wanted to supply a little balance to our critique, some plus to counteract the minus, we also came up with a short list of definitely appropriate wedding songs. We set aside the obvious "Ke Kali Nei Au" and "Ku‘u Lei ‘Awapuhi," and settled, instead, on:1. "Awaiāulu ke Aloha," (also known as "Waiulu"). Attributed to George Kaleiohi Sr. (and sometimes to Lala Mahelona), this haunting waltz speaks of love made fast by tying together ("awaiāulu ke aloha"), of intimacy that withstands the test of time ("kou pili hemo ‘ole i ke kau"), and of the unassailable rightness of their bond ("pono ‘oe pono pū ho‘i kāua"). The song offers its married audience a powerful double-perspective: newlyweds look forward with anticipation, grey-heads look back with tears of affirmation.2. "Lae Lae." Bina Mossman’s mother composed this light-footed mele when Bina and her husband-to-be were still courting. Mom gives her stamp of approval to their relationship and offers the poetic benediction: "E ola mau loa / Ku‘u mau pua / A puka i ke ao / Mālamalama" -- Long live my two flowers; may they thrive in the light of day and in the radiance of marriage.3 and 4. "Kawohikūkapulani" and "Pua Malihini." Helen Desha Beamer composed these songs for her daughter, Helen Elizabeth Kawohikūkapulani "Baby" Beamer, and for Baby’s fiancé, Lt. Charles Dahlberg (the malihini of the second song). At the time, the couple was caught up in a whirlwind of parties, showers, and wedding preparations. Neither realized that Mom had set aside some quiet moments for herself, a tranquil space in which she was able to haku this beautiful, perfectly matched pair of bride-and-groom mele.5. "Līhau." Moe Keale and I (e kala mai for tooting my own horn) collaborated on this wedding song for our friends Mary Faurot and Damon Pescaia. Our old-sounding waltz explains how love has settled on bride and groom like a soft mist, a cooling Līhau rain at the pali’s highest point. The mele then invokes Makanikeoe, a guardian-god of peace and love. "E ukali mai ana ka la‘i / Ka hilina‘i a Makanikeoe / Eia lā ‘o Makanikeoe" -- Contentment will soon attend you, the abiding trust of Makanikeoe; yes, here it is, the love of Makanikeoe.Hawaiian weddings, we concluded over our second-or-so glass of fine, white wine, are as much in need of music police as they are of food, fashion, and decoration police. Probably more so. If we believe that our ‘ōlelo still retains the power of ola and make, then we must also believe that our choice of wedding songs will have an impact on the strength of the bonds that hold a couple together. Better, then, that we sing "e awaiāulu i ke aloha" than "eia kā, he nui loa a he lehulehu nā paialaka o ia awa kū moku ē."
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  • Eo! A mahalo a nui no keia manao hoomakeaka a oiaio no. E houna aku au i kou manao i kuu mama hookama o mili, a maopopo no au e hoomaikai ana. He manumele aloha oia a aloha nui oiala i na mele kahiko. O Waiaulu kainoa o ka lakou hui himeni a ke oia heluhelu... hoopiha ana kona naau me ke aka, ke oli a me na halia aloha. mahalo piha a ke akua pu. me ke aloha.
  • Aloha e Kihei,
    Mahalo ho'i au i kou mana'o ho'omake'aka, 'o ka po'e maka'i no na mele ho'ao. E ho'okumu paha 'oe i kahi po'ai kama'ilio mele, a i 'ole haku mele i hiki ia makou ke kukakuka e pili no i na mele Hawai'i....a 'aka'aka pu....
    Aloha,
    Noelani
  • E kuu hoa, ua hoouna aʻe i keia paloka i ka hui "Ka unuhi" o keia AoMaoli, no ka mea, o ka unuhi ka mea nui no neia mau mele hewa me nā mele pono no ka lā male, ea?
  • Aloha Anakala Kihei,
    Mahalo for writing the above. Even in todays time
    it needs to be known what is appropriate and what isn't and most importantly why?. I've heard about you through my kumu hula which I don't want to post here for all the eyes to see but I'm enlightened to know now what is appropriate to sing and why. I've grown up with music all around me and come from a very musical family but the meanings behind mele was never passed on & so I sing what I hear & have no idea what most of the songs that I sing are about but by what I can read on the "translation" side of the pepa. Since recently going to a bunch of funerals on Kaua'i, I didn't know that there were certain songs to sing that's appropriate for a ho'olewa...so my life I guess anakala, is to learn from those who know and willing to share....mahalo nui loa for informing me of the above mele I really appreciate the mana'o. Where would one start to research mele? I'm so clueless.
  • eo! ola a make - he haawina nui no hoi keia ke nele nei i na opio Hawaii o keia mau la. Pehea ka mana o keia mau hanana?
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